Replacing a paper finger on Underwood 5

A little while ago an eagle-eyed fellow typospherian Bill M very generously offered me a replacement paper finger for my 1909 Underwood 5. I was so excited to receive the parcel and get the screw drivers out this weekend. The procedure for replacing the finger is quite straight forward when you know how and have prior warning about the teeny spring and rod in the finger which have to be held carefully in place. I was grateful for the instructions Bill sent along with the part, otherwise I might have spent a while messing about with fiddly bits!

The screw to release the rod for the paper fingers is located behind the nickelled plate on the right side of the carriage. I had to loosen the rusted in place screw first with some penetrating stuff (ok, ok! it was WD 40, but as you can see I protected the rest of the typewriter with rags)
The rod lifted out without a hitch. Bill kindly sent the replacement finger with a bolt holding the spring and rod in place
Sliding the part into place on the rod. (Yes, my fingers are stained with black printing ink 🙂 more on that another time but I can tell you I’m kind of wishing I had a printing press now!)
Lovely
The rod slides back onto the machine. You can see part of the serial number there which is hidden beneath the nickelled plate.

It’s the little things that make all the difference. The typosphere is a wonderful thing! I’m always grateful to be a part of it.

Printing without a press

This is the first test this evening of a bookplate design. A lino cut of my Underwood 5, and text printed by hand using some type I bought off eBay a few years ago. I made the text block by clamping the letters and spaces together with duck tape. I’m using oil based block printing ink, and rubbing the back of the paper with a bone letter opener. The text block is simply stamped on by hand. I do love making things completely by hand. Don’t let the lack of a printing press stop you from making prints at home.

Distraction

Yes! It’s a photo of a machine I’m happy to be addicted to. Also, I finally got around to taking some nothing else in the background shots of my Underwood Five.

What a massive hunk of machine with only one purpose. “I’m here to serve your every writing need. I promise not to distract you, or judge you. I promise I never even thought about trying to spy on your friends or track your every step around town. I won’t measure your waking hours or interrupt you when you are eating with friends and family or reading a book. I’m yours, I’m just waiting for you. Whenever you’re ready.”

Imagine what the makers of this machine would make of that imagined typewriter dialogue. They would be shocked, horrified. Amused? Bewildered? What kind of world has this machine travelled to? One in which we do still have a choice. It’s worth clinging onto choices.

Don’t wake the kids up!

The eagle-eyed detectives will notice that my Alphasmart is resting on a blanket and that the screen of my Alphasmart is showing a reflection of a painting. To avoid anyone being left wondering, yes, I am blogging from my bed, and the next pictures show the painting. I bought it for £45 in the summer of 1996, from a fellow Fine Art Graduate after our final degree show at Falmouth. I’d had my eye on it since I’d first seen him working on it in the studio. I love it still, it is titled, Human Element, the artist is Edward Lewis. I’m not sure if he is still painting but that is quite irrelevant…

Human Element, Ed Lewis. Oil on Canvas. Approx 100 x 85cm
Human Element, detail
Human Element, detail
Human Element, detail

Silver linings

I’m gonna be a new woman by the time this thing is over …
Random shadow selfie. On my way back from posting some letters.
The plastic-free rainbow ribbon option. Comes on a little wooden bobbin-bead. Very cute.

“Recommended for you…”

Sophocles, 496 – 406BC

I watched it last night, and I’m watching it again with my teen tonight.

I deleted the Instagram app off my phone 2 weeks ago, feeling strange after realising that the unique barrage-set of ads being pushed at me were for me alone. That no one else was being offered these ads in this order. That the suggested accounts being pushed at me were a combination unique to me. That I was scrolling more and more through ads and that they were catching my attention, soaking up my time despite my being aware of the model of money-making going on. Despite my trying to scroll past and ignore. These seconds being eaten away, added up to minutes and would add up to hours and days of my life. Simply scrolling scrolling scrolling. I deleted, feeling like it was the right thing to do in that moment, feeling like my happiness was being sucked at by an invisible vampire. I still have that FOMO sickness. Early days. I’ve got two new books to read. I wish you all a good weekend, and week ahead.

Long Live the Post Horn! By Vigdis Hjorth, translated by Charlotte Barslund. Girls Against God by Jenny Hval, translated by Marjam Idriss. Both published by Verso

It’s the little things

A new A7 notebook in dark green goatskin offcut. Work in progress on the finishing.
The design is based on pine forests. I wanted to create something to induce a feeling of calm. The spine of the book represents the trunk of a pine tree, with pine needles scattered at the base catching dappled light. The slivers of pared leather are fixed in place with a mix of water-based pva and starch glue

Writing room decor choices. A lesson in not backing down.

On a happier note, I found this wonderful collection of Scottish poetry for 50p in a charity shop. Always look inside the book!
The originals are facing the translations
My brain doing somersaults over how you might even begin to translate Scots to German. I’m full of admiration and sad that my German is criminally basic.

P.s. The grey walls are now officially a temporary midway state to the perfect writing room colour scheme.