Variations

Cover design 1 in progress. Gold foil on maroon book cloth
Cover design 2. Ink on grey book cloth
Cover design 3. Silver foil on midnight blue book cloth
Jacket-slip typed on Smith-Corona Classic 12 6cpi
Pretty satisfied with the way this project has turned out. Now on to the next!

120 lino prints…

being sewn into a first run of ten little books

This is tank-top guy feeling festive
This is Crow, missing her friend Tank-top guy
Sometimes when you miss someone, you just have to caw them up on the phone…
and work out how to spend time together, in a corvid safe way.

Printing without a press

This is the first test this evening of a bookplate design. A lino cut of my Underwood 5, and text printed by hand using some type I bought off eBay a few years ago. I made the text block by clamping the letters and spaces together with duck tape. I’m using oil based block printing ink, and rubbing the back of the paper with a bone letter opener. The text block is simply stamped on by hand. I do love making things completely by hand. Don’t let the lack of a printing press stop you from making prints at home.

Distraction

Yes! It’s a photo of a machine I’m happy to be addicted to. Also, I finally got around to taking some nothing else in the background shots of my Underwood Five.

What a massive hunk of machine with only one purpose. “I’m here to serve your every writing need. I promise not to distract you, or judge you. I promise I never even thought about trying to spy on your friends or track your every step around town. I won’t measure your waking hours or interrupt you when you are eating with friends and family or reading a book. I’m yours, I’m just waiting for you. Whenever you’re ready.”

Imagine what the makers of this machine would make of that imagined typewriter dialogue. They would be shocked, horrified. Amused? Bewildered? What kind of world has this machine travelled to? One in which we do still have a choice. It’s worth clinging onto choices.

It’s the little things

A new A7 notebook in dark green goatskin offcut. Work in progress on the finishing.
The design is based on pine forests. I wanted to create something to induce a feeling of calm. The spine of the book represents the trunk of a pine tree, with pine needles scattered at the base catching dappled light. The slivers of pared leather are fixed in place with a mix of water-based pva and starch glue

Stills from a movie, Day 37

I’m making things, not really typing, not really writing. This is from a photo we took of our shadows on a night walk last summer. Now the longest we’ve been apart since we got together and every day from now on until lockdown is over.

Thinking of you all. Keep on staying safe xx